Please join me at my newly re-designed website and blog, now integrated into one.
Have you resolved anything related to your art for the new year? The beginning of a year is always such a good time to start new habits and "re-make" ourselves, isn't it?
Why yes, that is a plaster fish head on my kitchen counter.
Today was much more about process than a finished project. I was working on fabric postcards - I snapped this photo just before I screenprinted some insects onto the painted and stamped backgrounds.
And I did pack the car rather creatively in preparation for vending at the Brownstone Quilter's Guild show in Allendale, NJ this weekend.
Day two of Art Every Day Month - and no, I won't be putting a number on each of these pieces *big grin*. There just happened to be a postage stamp, the perfect color and size, in my collection that had a 2 on it. Or my subconscious is really pushy...
This one is ATC-sized (2.5" x 3.5") and the base is Strathmore paper with a canvas texture. You won't believe the HUGE mess I made making this tiny thing! My studio is such a disaster right now that I've been reduced to putting a cutting mat on the floor and slicing and dicing on my hands and knees. And my camera got lost less than five minutes after I set it down and took me fifteen to find again. Ugh. I need a couple of days to devote to sorting and cleaning and organizing. Maybe next week...
I've been struggling lately trying to chisel out enough time for art. Almost everything I've made for the last yearish has been for a Purpose - for a book, magazine, class or some other obligation. I heard about the Art Every Day Month project on Twitter from Fi Bowman and immediately signed up. The "rules" are very loose and, in keeping with that, I'm not adding anything to it. As long as I've created something every day in November, I'm good. Some days it could be an interesting photograph, some days it might be a small collage, who knows? I'm open to anything and happy to be creating.
Today's entry is a 1.5" square collage on illustration board with fabric, paper, watch gears, stamping, and painting. Whee! Art for no reason at all. Fun!
PS: I used a scrap of newspaper from India in the collage. If anyone knows what it says, please let me know!
I showed you the beginnings of my 4" square challenge pieces here and now that the art is swapped I can reveal more of the process and the finished results.
After I had fused on the prepared-for-dyeing fabric to the 4" squares of fast2fuse interfacing, I applied a wash of acrylic paint diluted with water, mixing colors as I went.
Even after they dried they were a little too bright for me so I added another wash over all of them, this time in a diluted off-white color.
Then I added pattern with designs from stamps I made, applied with more of the off-white color, undiluted this time.
And finally, I screen-printed thermofax images of insects with black acrylic paint randomly to each of the squares. After the paint was dry, I trimmed the squares and topstitched around the edges. I added labels on the back and headed off to the meeting for the grand swap. 28 artists traded 4" squares and a good time was had by all! I found a cool box (meant to store ATCs) that I need to alter to store them all in.
At the meeting it was really interesting to hear how varied all of our approaches to this project were. Some people started out planning to make 29 similar pieces and got bored after 10 so switched to making groups of similar pieces. A few people began intentionally by making definite groups. Several people made all completely different pieces, some within themes, and some not. A couple of people made large backgrounds and cut them down into 4" squares and proceeded with more design. There were a lot of different edge-finishing techniques. Many people chose to work entirely or mostly by hand due to the project's portability. So many different ways to get to the same place!
I find that the assembly-line process works best for me, as you can see from my pictures above. As a printmaker, I'm used to work in editions and this is very much the same thing - all originals, but absolutely an edition or series.
Of course, as soon as we had swapped and discussed and admired, we jumped right into a new challenge - stay tuned!
Today was a rare free day in the studio with nothing more pressing to work on than some 4" squares for a swap for my art group on Thursday evening.
First though, I played with printing on big sheets of white paper. Anyone who knows me knows how "all out" I go when wrapping presents. I love to use beautiful paper, make unique gift tags and add sumptious, funky or unusual ribbons. A special someone has a birthday coming up this week and I couldn't resist making my own wrapping paper this time. I used stamps that I had made and acrylic paint to print designs all over the paper. Delicious! Wouldn't this make a pretty fabric?
That done and drying, I started on the 4" squares. I can't show you how far I've gotten but I can say that I'm using some of the same layering techniques that I used on my bricolages, on fabric this time. Here's my assembly line all set up and ready for the first painting step.
I realized AFTER I had cut all of the fast2fuse squares and ironed on all the little pieces of fabric that I could have ironed a big piece of fabric to a big piece of fast2fuse, painted it and then cut it into 4" squares. Oy.
An intrepid group of about 35 art quilters and fiber artists meets each month and we discuss all sorts of topics of professional interest to artists, we have challenges and creativity prompts, we mount a group exhibit, and we learn from each other and laugh a lot. Over the summer 29 of us have been working on 4" squares to trade with each other. We agreed to keep our work secret until the due date and after everything's swapped on Thursday night we can all reveal the art on our blogs, Facebook and websites. I'm so looking forward to seeing what everyone else has made!
Based on a few of my fellow swappers' blogs (Melanie has help with hers, scroll down to the bottom here) and Facebook status updates (I'm looking at you, Natalya and Vivien, lol!), I'm not the only one working on these today...
The bricolage assemblages are done! I'm not certain what they "mean" or what they're "saying" yet. I tend to work very subconsciously and all of that needs to filter up before I can figure it out.
I made small shelves with balsa wood, painted them and then distressed them before attaching them to the illustration board. I used both glue and small screws to attach the shelves.
I auditioned a number of found objects for the shelves. In the end I used found chess pieces that I bought from Judy Gula in Houston last year.
The empty morphine vials came from a Facebook friend's etsy store. 
The cardboard letters and vintage Japanese card came from another Facebook friend's etsy store. Etsy is the best. So is Facebook.
It's very tricky to photograph framed art because of the reflections on the glass and harder still to photograph shadow boxes because of the depth of the frames and the shadows they throw. These difficulties were compounded by having to use just one photoflood, since the other blew during a marathon photo shoot recently. B&H will be delivering new bulbs on Tuesday, so I'll set up and shoot again next week. 
I can't post anything that I've made lately (top secret and all that jazz), so I thought I'd show you some of the beautiful pieces I've been fortunate enough to acquire lately. I love how wonderful they look matted and framed, I love how well they work together, and I love how simpatico they all are with the string of birds Elin gave me years ago. A bright happy corner in my studio.
The piece on the top is an ACEO by Lisa Call - you have to see one of these in person, the detail and workmanship are astonishing. The middle piece is by the delightful and lovely Mati McDonough, I adore its positive, fresh, fun and bubbly vibe. And the bottom piece is by the incomparable Liz Berg. I've been hankering after one of hers for eons and was fortunate enough to get this during the recent Collage Mania.
Back to work, and as soon as I can, I'll show you what I've been up to!
The ferns are coming up in the woods and garden, unfurling and uncurling. Can't you just imagine magical little creatures living under them?
I've done several series of quilts based on ferns and feel another one coming on. I'm waiting for some of the chaos to subside and my head to be quieter and then I'll hit the studio. The forced inaction is frustrating, but I'm looking forward to a hyper-productive period this summer. June, she chants, June.
Spring has sprung, the bulbs I planted last fall are up and most are blooming. There's a whole patch of "surprise" bulbs (I forgot what I planted, gotta write it down next time, oof).
Even in the midst of nutso packing for Quilt Festival in Chicago, I did a little decorating for Easter dinner. A couple of bouquets of flowers, a pretty floral fabric...
... and small sparkly chicks!
When I was teaching in Asilomar at the Empty Spools seminar a couple of weeks ago, I had the great pleasure of meeting Annie Smith, podcaster extraordinaire. She interviewed me one evening and we really hit it off. You can head to her website to listen to the podcast and hear us chatting about art and quilting and life and everything. Please leave a comment for me here - I'll be giving away a copy of my new book, Art Quilts at Play, on Wednesday, April 1st (no fooling!)
So you can follow along, in the podcast I talk about the books I've written with Elin Waterston, the shop that my mom and I opened in 1990 (that will continue as an internet store) and my husband's artwork.
UPDATE: The winner of the free book is "sewjoe"! Please contact me with your mailing address and I'll get an autographed copy of Art Quilts at Play right out to you. Thank you everyone for your very kind comments! And thank you Annie for the opportunity to talk to your listeners!
Happy Friday the 13th to me! The picture above is of me as a mere babe (of course, I'd like to think I'm still a babe, lol) and my mom outside of the house of one set of grandparents in Queens NY. Today we're both a number of years older, but no less cute than we were then. I think it's auspicious that, on the cusp of re-inventing myself for the next phase of my life, my birthday once again falls on a Friday.
Mom and I have worked together for the last 18 1/2 years at the shop we opened in 1990, The Country Quilter. What a ride it has been! We've seen trends and fads come and go, we started our own pattern design business, we've taught hundreds and hundreds of quilters and we've a blast doing it all. We've never had an argument or serious disagreement - which, if you had seen us doing my teenage years, you wouldn't believe. My mom is an inspiration and it's a joy to work with her. She and my dad are now retiring and planning to spend a lot of time at their house on the lake in the Adirondacks, traveling, and enjoying each other and the family. Richly deserved and highly anticipated!
So, this left me at a crossroads and I decided to take the path less traveled, the journey less certain. The shop closes in two weeks and I start a new chapter in my life. I will be expanding our online business of art quilting supplies, continuing our pattern business and exploring new avenues in teaching, writing and designing. Very exciting and a little bit scary all at once.
I am looking forward to being at home on Saturdays, not having had weekends off in nearly two decades. I'm also looking forward to having more time for art, family and friends, and to being open to whatever comes next. Stay tuned!
As a special treat, Tracey Brookshier took me to the Monterey Bay Aquarium after we finished teaching on Friday. What a feast for the eyes! The aquarium is famous for its jellyfish exhibits and rightly so. I need to go back with my good camera, the jellies are hard to photograph with a point-and-shoot.
I found myself completely captivated with a tank of sea anemone. The colors were amazing. I feel a new series coming on...
Some of the pictures I took were disappointingly blurry - the leafy sea dragons (unbelievably cool and surreal-looking), the river and sea otters, and the sand dollars (we stared at these a long time while they moved in s l o w motion) so I'll need to try again next time. We bumped into some of my students who were practicing their observational skills at the aquarium before their flight home.
After we had our fill of the fishies, we headed to Cha-ya, a Japanese tea, art and antique store in an old part of Monterey, where I found origami paper, small dragonfly dishes, a couple of pretty chirimen bags and a tiny metal jizō statue (that caused my luggage to be searched at security the next day, I guess it looked more menacing in the x-ray machine than it does in real life!) Then on to an art supply store for a paper fix, gorgeous handmade paper with Thai writing on it, a vintage-looking map and more handmade paper with newspaper inclusions. And finally back to Tracey's house for a home-cooked meal with her family. All in all, a fantastic ending to a fantastic week.
Last week I taught at the Empty Spools Seminar in Asilomar, California. Despite the chilly, rainy weather, it's a magical place. The ocean is a very short walk from the conference center, is visible from many vantage points and the sound of the surf is omnipresent. It was a very inspiring setting for a very creative week. 
The dining hall where everyone on campus gathered for meals. The speed with which they feed hundreds and hundreds of people is astounding.
Just beyond the dining hall is the boardwalk to the dunes and trails. Beautiful even in the grey drizzle.
There are warning signs along the trail to watch out for mountain lions and advice about what to do if confronted with one. I memorized the sign but didn't need to use the advice, phew. There were a lot of crows and racoons, and many almost tame deer wandering about.
My classroom was a cosy building standing by itself, filled with courageous, talented women. We had a wonderful week filled with art and laughter.
It didn't rain the entire week, one morning there was a gorgeous rainbow above the dunes.
The first day I was there my friend, Franki Kohler, and I went to Pacific Grove for lunch and shopping. This is the town where the monarch butterflies gathered by the tens of thousands every year during their migration. A sculpture in front of the post office:
Walking back from an exhibit at the art center I spied these gulls hanging out on top of a car and it struck me as funny.
Wednesday night a bunch of the teachers went to dinner on Cannery Row - Tracey Brookshier, Lura Schwarz Smith and Kerby Smith, Reynola Pakusich, Marcia Stein, Annie Smith and I feasted on seafood and cheesecake.
I'll be back next year during the July session and I'm really looking forward to it!
