Pattern Play

I've been experimenting with pattern in the studio lately. I designed and made some large blocks for block printing.

Often the first thing I'll do with a new block is print it out with black paint on white paper to play with the repeats and secondary designs.

Next I'll test out some paint colors on colored backgrounds. I start with white fabric and paint a wash of acrylic ink and water to achieve the color I want. Once the background is dry, I'll mix and apply paint to my block and start printing. Here are some recents results:

As you can see, I like to keep the colors fairly close in family, or neighbors on the color wheel. These designs will end up as home decor items (pillows, lamps, etc), wallpaper, and more. I think the rabbits are my favorites so far!

Fun with Carrots + a Giveaway!

A few weeks back I reviewed a new book by Julie Booth, Fabric Printing at Home. Today I am back with a fun project from the book and a chance for you to win a copy of Fabric Printing at Home.

On page 53 I found an intriguing idea called Carrots Three Ways. I grabbed a carrot from the fridge, gathered some supplies, and got to work on one of the techniques.

For this project you need a firm carrot (preferably one that's got a section with an even diameter), a knife, and corn cob holders or bamboo skewers. Then you'll need some paint and a dauber or foam brush, and a surface to print on (fabric or paper).

Cut a section of the carrot that's as even in diameter as possible. This will result in a more even print. Eat the ends of the carrot or feed them to your bunny or guinea pig (optional).

Using the knife, cut designs into the carrot. The designs can be complicated or simple, regular or irregular. Have fun experimenting with this part! The cuts don't need to be very deep but leave a little bit of room between cuts for stability. Julie recommends peeling the carrot first for a smoother surface but I forgot that step in my excitement.

Insert the corn cob holders or pieces of bamboo skewers in the ends of the carrot to act as handles.

Dab on some paint and roll the carrot onto fabric or paper. It helps to have a cushy surface to print on, and it helps to print the first inking onto a scrap to test the amount of paint you've applied and to "prime" the surface of the carrot.

Fun with veggies! This has definite possibilities and I can't wait to try a whole bag of carrots with different designs cut into each one. Before I get started though I think I need to find the vegetable peeler and the corn cob holders…

There are SO many cool ideas just like this in Fabric Printing at Home! If you would like to win your own copy, please leave a comment below by the end of the day on Friday, February 13. Make sure to include your email address so I can contact you for your mailing address.

The blog tour continues tomorrow on Carol Eaton's blog, and the full schedule is below. There are 14 (fourteen!) chances to win a copy of Julie's lovely book, one at each blog stop on the tour. Julie has wonderful tutorials and additional giveaways on her blog each day of the tour, so don't forget to head over there every day.

February 2: Lisa Chin

February 3: Lynn Krawczyk

February 4: Jane Davila

February 5: Carol R. Eaton

February 6: Judy Gula

February 7: Susan Purney Mark

February 8: Teri Lucas

February 9: Jennifer Coyne Qudeen

February 10: Deborah Boschert

February 11: Lynda Heines

February 12: Cheryl Sleboda

February 13: Terri Stegmiller

February 14: Jackie Lams

Printmaking and more at Create Mixed Media retreat in Chicago!

I had such a great time teaching at the Create Mixed Media retreat in New Jersey in July that I'm doing it again in Chicago this month. I'd love for you to join me!

I'll be teaching four workshops. First up is the 4-color block printing class. You'll learn about design, registration for perfect prints, marketing and selling prints, and even cut your own mat. You can add some stitching by hand and/or machine. Everyone works on their own design and New Jersey's students came up with some stellar ones!

On Saturday I'll be teaching a class called Art Websites for Beginners. All you need is a laptop with wifi capability and some images of your work. There's no software to buy or download, no special knowledge needed. By the end of class you'll be well on your way to a beautiful website you can maintain and update yourself. We work on the websites in real time, one step at a time, until everyone is confident and ready to move onto the next step. In New Jersey we joked about having a hacker party with pizza and beer in the hotel lobby after class to keep working on our sites together. Fun!

Saturday night we jump into the Live Tweets class. This is a great introduction to soft sculpture and the results are delightful. Make a bird with fabric and paper that you've painted or printed yourself. What a fabulous way to show off your handiwork!

And on Sunday morning join me for a great inspirational exercise that ends up as a house with a bird on it in the Bird:House workshop. Randomly choose a "bird word" and create a collaged and stitched house to illustrate it. We talk about inspiration, the principles of design, and many construction techniques. The houses can either hang on the wall or sit in a wooden stand when complete.

The Create retreats are great fun, inspirational, educational, and a wonderful way to connect with our "tribe" while trying new things and meeting new people. I hope to see you there!

A new way to learn

I discovered a neat website and app that is like Pinterest, in that it is visually beautiful, but differs in the creation of the content. Snapguide builds tutorials, or guides, with a clean, elegant interface. You can create a guide to anything - a recipe, a craft project, an exercise, anything, or you can search for a guide in any one of an assortment of categories. The guides can have any number of steps and include photos and videos. I think this has the potential to be as big as Pinterest, and without the pesky copyright issues since you can like or share or comment on a guide, but you can't take someone else's content and add it to Snapguide. And if you think it looks nice on the web, it looks and functions fantastically on an iPhone or an iPad!

So far I've added 2 guides, as Flourish!, to Snapguide and I'm aiming to add one every week or so. If you teach quilting or have a creative business Snapguide can be a great way to direct people to your website and enhance your reputation as an "expert". It's also a fun way to share your knowledge.

My two guides (so far!):
http://snapguide.com/guides/transfer-images-using-citrasolv-natural-solvent/
http://snapguide.com/guides/make-matchbook-notepads/

If you have an iPhone or iPad, look for them in the Snapguide App too.

Have you tried Snapguide? What do you think?

Natural Solvent Transfers

Oh how I love Citrasolv natural cleaner and degreaser! Not only is it an awesome cleaner (you know, if we had time for cleaning!) but it is also a perfect solvent for transferring laser-printed images or photo-copied images to fabric or paper.

Supplies:

CitraSolv orange-based natural cleaner and degreaser

Toner-based laser print or photocopy (either black and white or color) printed onto plain copy paper, in reverse

Foam brush

Scissors

An old spoon or a burnisher

Paper or Prewashed fabric (the smoother the surface, the sharper the print)

Scissors

1. Cut the printed sheet apart into separate images, if you’ve printed more than one on the page. Make sure that the image is printed in reverse or mirrored as the transfer process reverses the printed image, This is especially important for text!

2. Place the image face down on the desired fabric or paper and hold firmly.

3. Moisten the foam brush with a small amount of CitraSolv. Be judicious, a little bit goes a long way. 

4. Rub the moistened foam brush onto the back of the printed image, being careful not to shift or wiggle the paper which will result in a blurry transfer.

5. Once the paper is saturated you will see the image start to show through the back of the paper. At this point, vigorously rub the back of the paper with an old spoon or a burnisher.

Tip: It can be helpful to work on a slightly padded surface. I often place a scrap piece of batting or an old mouse pad under everything.

6. Lift up one corner of your printed page to peek and see if the image is transfering. If it isn’t, let go of the corner and resume burnishing. If it has transfered, remove the printed paper.

Tip: Printed images can only be transfered once, so discard the saturated paper after you’ve completed the transfer.

7. If you allow the transferred image to sit out the CitraSolv will evaporate in a few hours. If you are in a hurry, cover the transfered image with parchment paper and lightly press with a warm iron. Make sure your work area is adequately ventilated as the odor will be concentrated and more intense with the heat of the iron.

 Finished piece with CitraSolv image transfer.

There are many different ways to transfer images and photos to fabrics and other surfaces. Using a solvent and a laser-printed copy is one of them. I prefer a natural, orange-oil-based solvent like Citra Solv for its non-toxic properties and its great smell. It’s essential that the image is printed on a toner-based laser printer or photocopy machine as an inkjet printer or solid ink laser printer won’t work.

AED - sketching

When I was in Houston for International Quilt Festival demonstrating in the Open Studios of the Make It University section of the show, I started some thread sketches. I worked on a few of them today.

First I doodle on a sandwich of fabric and thin batting with a sewing machine and black thread to give the impression of a pen and ink drawing.



Then I add a diluted mix of Liquitex liquid acrylic inks to achieve a watercolor paint effect.



I play this weird game where I try to make the thread sketch with one continuous line of stitching - one start, one stop.



Sort of like doing a drawing and not lifting your pencil off the paper.



Since I'm so bad at regular watercolor painting on paper, I'm surprised at how much I like these and how much they look like I wanted them to look.



Okay, except for that one, which needs more pressing...

4" square challenge

I showed you the beginnings of my 4" square challenge pieces here and now that the art is swapped I can reveal more of the process and the finished results.

After I had fused on the prepared-for-dyeing fabric to the 4" squares of fast2fuse interfacing, I applied a wash of acrylic paint diluted with water, mixing colors as I went.



Even after they dried they were a little too bright for me so I added another wash over all of them, this time in a diluted off-white color.



Then I added pattern with designs from stamps I made, applied with more of the off-white color, undiluted this time.



And finally, I screen-printed thermofax images of insects with black acrylic paint randomly to each of the squares. After the paint was dry, I trimmed the squares and topstitched around the edges. I added labels on the back and headed off to the meeting for the grand swap. 28 artists traded 4" squares and a good time was had by all! I found a cool box (meant to store ATCs) that I need to alter to store them all in.







At the meeting it was really interesting to hear how varied all of our approaches to this project were. Some people started out planning to make 29 similar pieces and got bored after 10 so switched to making groups of similar pieces. A few people began intentionally by making definite groups. Several people made all completely different pieces, some within themes, and some not. A couple of people made large backgrounds and cut them down into 4" squares and proceeded with more design. There were a lot of different edge-finishing techniques. Many people chose to work entirely or mostly by hand due to the project's portability. So many different ways to get to the same place!

I find that the assembly-line process works best for me, as you can see from my pictures above. As a printmaker, I'm used to work in editions and this is very much the same thing - all originals, but absolutely an edition or series.

Of course, as soon as we had swapped and discussed and admired, we jumped right into a new challenge - stay tuned!

Gettin' messy

Today was a rare free day in the studio with nothing more pressing to work on than some 4" squares for a swap for my art group on Thursday evening.

First though, I played with printing on big sheets of white paper. Anyone who knows me knows how "all out" I go when wrapping presents. I love to use beautiful paper, make unique gift tags and add sumptious, funky or unusual ribbons. A special someone has a birthday coming up this week and I couldn't resist making my own wrapping paper this time. I used stamps that I had made and acrylic paint to print designs all over the paper. Delicious! Wouldn't this make a pretty fabric?



That done and drying, I started on the 4" squares. I can't show you how far I've gotten but I can say that I'm using some of the same layering techniques that I used on my bricolages, on fabric this time. Here's my assembly line all set up and ready for the first painting step.



I realized AFTER I had cut all of the fast2fuse squares and ironed on all the little pieces of fabric that I could have ironed a big piece of fabric to a big piece of fast2fuse, painted it and then cut it into 4" squares. Oy.

An intrepid group of about 35 art quilters and fiber artists meets each month and we discuss all sorts of topics of professional interest to artists, we have challenges and creativity prompts, we mount a group exhibit, and we learn from each other and laugh a lot. Over the summer 29 of us have been working on 4" squares to trade with each other. We agreed to keep our work secret until the due date and after everything's swapped on Thursday night we can all reveal the art on our blogs, Facebook and websites. I'm so looking forward to seeing what everyone else has made!

Based on a few of my fellow swappers' blogs (Melanie has help with hers, scroll down to the bottom here) and Facebook status updates (I'm looking at you, Natalya and Vivien, lol!), I'm not the only one working on these today...

Walking on sunshine!

Today was a good day to do some sunprinting in the backyard. I set myself up on a corner of the deck and went to town with acrylic paint and pfd cotton.



The sky was clear, the sun was warm and bright, and the leaf prints were crisp.



Delicious colors and patterns. I chose to make more intense colors this go round, usually I make very washed pale backgrounds. Sun printing is fast, fun, easy and looks spectacular.



I don't like to wear gloves and for this reason especially try extremely hard to avoid any toxic or harmful chemicals - which is why I love to work with acrylics. And almost all of this washed off with a little soap when I was done.



A lovely way to spend the afternoon!

Bricolages - part deux

The bricolage assemblages are done! I'm not certain what they "mean" or what they're "saying" yet. I tend to work very subconsciously and all of that needs to filter up before I can figure it out.

I made small shelves with balsa wood, painted them and then distressed them before attaching them to the illustration board. I used both glue and small screws to attach the shelves.



I auditioned a number of found objects for the shelves. In the end I used found chess pieces that I bought from Judy Gula in Houston last year.




The empty morphine vials came from a Facebook friend's etsy store.



The cardboard letters and vintage Japanese card came from another Facebook friend's etsy store. Etsy is the best. So is Facebook.







It's very tricky to photograph framed art because of the reflections on the glass and harder still to photograph shadow boxes because of the depth of the frames and the shadows they throw. These difficulties were compounded by having to use just one photoflood, since the other blew during a marathon photo shoot recently. B&H will be delivering new bulbs on Tuesday, so I'll set up and shoot again next week.

Printmaking Workshop - July

Friday and Saturday, July 17 & 18, is the next session of my Printmaking for Art Quilters workshop. There are still a couple of spaces if you hurry!


collagraph with acrylic paint on pfd cotton

More details can be found on my website. We'll be working on a variety of printmaking techniques, adapted for printing on fabric with acrylic paints and mediums, with a good mix of hand and press printing processes. Come join us!

Bricolages

One of the online collage groups that I belong to had been discussing the various terms that describe what we do and the word bricolage came up. I love this word!

Bricolage: [bree-kuh‑lahzh] a construction made of whatever materials are at hand; something created from a variety of available things.

I just happened to have three small IKEA shadowbox frames lying around the studio. I buy frames "on spec" when they're pretty and interesing (and inexpensive!) The frame opening is only 5 1/2" square and is about 1 1/4" deep. I've been wanting to work on three-dimensional assemblages (Joseph Cornell's work has inspired me) and layering colors and textures. So, cool new word in hand, I jumped in.



I had scraps of illustration board leftover from making collagraph plates, so I cut those down to fit the frames. I painted layers of washes of paint on the illustration board (and forgot to take a picture) and then tore and glued down pieces from an Italian newspaper.



After the glue was dry, I painted a wash of cream acrylic paint over each board and then stamped designs over everything with more of the same diluted paint.



The cream wash toned everything down and the stamps added visual texture and interest. Next I glued on a few paper mesh squares and strips, and found object papers and letters.



Right now I'm waiting for the paint to dry on the little shelf supports that I cut to fit in each frame. I'll take more pictures when the shelves are attached to the boards and I start auditioning found objects to place on them.

Oh, and a person who makes bricolages is a bricoleur - wouldn't that look great on a business card?